Facta Ficta

vitam impendere vero

Nietzsche thinking

[MA-169]

ORIGIN OF THE COMIC

If one considers that man was for many hundreds of thousands of years an animal in the highest degree accessible to fear and that everything sudden and unexpected bade him prepare to fight and perhaps to die that even later on, indeed, in social relationships all security depended on the expected and traditional in opinion and action then one cannot be surprised if whenever something sudden and unexpected in word and deed happens without occasioning danger or injury man becomes wanton, passes over into the opposite of fear: the anxious, crouching creature springs up, greatly expands—man laughs. This transition from momentary anxiety to short-lived exuberance is called the comic. In the phenomenon of the tragic, on the other hand, man passes swiftly from great, enduring wantonness and great fear and anguish; since, however, great, enduring wantonness and high spirits is much rarer among mortals than occasions for fear, there is much more of the comic than the tragic in the world; we laugh much more often than we are profoundly shaken.